• Research :


Invented by Louis-Jacques-Mandé Daguerre and introduced worldwide in 1839,[4][5][6] daguerreotype was almost completely superseded by 1860 with new, less expensive processes yielding more readily viewable images. During the past few decades, there has been a small revival of daguerreotypy among photographers interested in making artistic use of early photographic processes.

To make the image, a daguerreotypist would polish a sheet of silver-plated copper to a mirror finish, treat it with fumes that made its surface light sensitive, expose it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; make the resulting latent image on it visible by fuming it with mercury vapor; remove its sensitivity to light by liquid chemical treatment, rinse and dry it, then seal the easily marred result behind glass in a protective enclosure.

The image is on a mirror-like silver surface, normally kept under glass, and will appear either positive or negative, depending on the angle at which it is viewed, how it is lit and whether a light or dark background is being reflected in the metal. The darkest areas of the image are simply bare silver; lighter areas have a microscopically fine light-scattering texture. The surface is very delicate, and even the lightest wiping can permanently scuff it. Some tarnish around the edges is normal.

Several types of antique photographs, most often ambrotypes and tintypes, but sometimes even old prints on paper, are very commonly misidentified as daguerreotypes, especially if they are in the small, ornamented cases in which daguerreotypes made in the US and UK were usually housed. The name “daguerreotype” correctly refers only to one very specific image type and medium, the product of a process that was in wide use only from the early 1840s to the late 1850s.

19th century printed reproduction of a still life believed to be a circa 1832 Niépce physautotype (glass original accidentally destroyed circa 1900)[19]

Full article: https://en.wikipedia.org/wiki/Daguerreotype

  • Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision[2]. The word stereoscopy derives from Greek στερεός (stereos), meaning ‘firm, solid’, and σκοπέω (skopeō), meaning ‘to look, to see’.[3][4] Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope.Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. These two-dimensional images are then combined in the brain to give the perception of 3D depth. This technique is distinguished from 3D displays that display an image in three full dimensions, allowing the observer to increase information about the 3-dimensional objects being displayed by head and eye movements

Brewster-type stereoscope,

  • Personal Work :

Portrait in Stereoview (filed under : G7XX-MMXX18 -FrVAUCL.1) – part of the C.R.A.F.T. (Centre de Recherche d’Affiliation Familiale et Territoriale) – Unit one

(Cgi, Printed on perspex) Dim. 10cm x 16cm

by Cedric