Ryan Sullivan review=

Embracing the random, free down and up painterly show and unexpected consequences of dropped paint, he plays with conscious, unconscious movements, improvisation like jazz music, beats are on and off, long and dry, short and wet, layered, over-layered, lubricated jellied over with lacquer, latex, enamels and synthetics, man-processed processes, elastic, stretched tension, dragged, hurried, each one an individual, Sullivan a year my senior contemporary, New Yorker, The Big Apple plays through.

One Minute’s Music, One Minute’s Time at Sadie Coles HQ, London .